![]() After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). ![]() It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. Drunken Angel (1948)-"Drunken Angel"-was the first film he made without extensive studio interference, and marked his first collaboration with ToshirĂ´ Mifune. Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943).
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